Charm is one of the stranger forms of social currency, because its value depends on everybody agreeing, for a moment, to overlook the arithmetic. The charmer gets the favour, the second chance; somebody else absorbs the cost. On It Always Comes to Me, the final advance single from Black Marble’s Life in Small Spaces, Chris Stewart studies that transaction with the detached curiosity of someone watching a confidence game unfold across a crowded r…
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