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When extended reality becomes performance art
Summary by The Manitoban
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1 Articles
When extended reality becomes performance art
Cascading trails of arms, a twirling 3D model and ephemeral words that melt into digital noise — these are elements from the closing scene of Freya Björg Olafson’s MÆ – Motion Aftereffect, a live performance about the human body’s relationship with extended reality (XR) technology. The performance took place at Rachel Browne Theatre last week after touring Ottawa and Montreal. In the final scene, Olafson gestures and spins on stage under a vide…
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