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Vlissingen 2026 Review: ISABEL Shows Mid-Life And Hangovers
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Vlissingen 2026 Review: ISABEL Shows Mid-Life And Hangovers
Ten years ago, filmmaker Gabe Klinger released his debut feature with Porto (reviewed here by Shelagh), and in that film he put some serious question marks at the popular cinematic trope of people being destined for each other after having one fantastic night together. In his second narrative feature Isabel, Klinger does the same thing with another such trope: people following their dreams and reinventing themselves. Let's just say Klinger likes…
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