Pristina-based artist Brilant Milazimi’s paintings depict wide-eyed figures baring their teeth in exaggerated, grotesque smiles—creaturely expressions that betray their tormented psychological states. Milazimi’s exhibition for the 2026 Kosovo pavilion, curated by José Esparza Chong Cuy, centers around a massive, eight-panel painting that foregrounds groups of such figures in various states of suspension and anticipation. Intended […]
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