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The Exorcist Remains the High-Water Mark of American Horror — and the Argument Is Not Close

Summary by Martin Cid Magazine
William Friedkin's 1973 landmark still frightens, still provokes, and still refuses to resolve its central question of faith.
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Martin Cid MagazineMartin Cid Magazine

The Exorcist Remains the High-Water Mark of American Horror — and the Argument Is Not Close

William Friedkin's 1973 landmark still frightens, still provokes, and still refuses to resolve its central question of faith.

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Martin Cid Magazine broke the news on Thursday, September 17, 2026.
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