From Patti Smith to Vladimir Cauchemar, via Imany, Gildaa or Sam Sauvage, this 50th edition of the Printemps de Bourges was built by fragments. From the great scenes of the W to the more tightened moments of the auditorium, it was necessary to circulate to capture something.
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From Patti Smith to Vladimir Cauchemar, via Imany, Gildaa or Sam Sauvage, this 50th edition of the Printemps de Bourges was built by fragments. From the great scenes of the W to the more tightened moments of the auditorium, it was necessary to circulate to capture something.