The most reproduced woman in American painting has her back to us. In Andrew Wyeth’s Christina’s World, a figure lies in a bleached field, propped on two thin arms, her gaze fixed on a gray farmhouse she cannot walk to. When Lena Dunham lowered herself into that same Maine grass and posted the picture, she joined a quiet procession of visitors who have learned the pose by heart. What almost none of them stops to ask is what the pose is actually …
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