When a series about the wealthy young residents of Belgium’s most expensive coastal enclave commits its entire three-season arc to a character managing bipolar disorder, it is telling the audience something precise. Not that mental health stories belong in glossy settings — many series have demonstrated that without consequence — but that the specific social world being depicted is the thing making the mental health crisis structural. That the p…
This story is only covered by news sources that have yet to be evaluated by the independent media monitoring agencies we use to assess the quality and reliability of news outlets on our platform. Learn more here.