Whether it’s a large-scale wallpaper reproduction of Sandro Botticelli’s “The Birth of Venus” or pages of deconstructed Artforum magazines, David Daigle’s detailed punch-cut compositions delve into the material and conceptual possibilities of layers, depth, and what is revealed or concealed. Daigle’s forthcoming exhibition, The Death of Beauty at Track 16, investigates intersections of identity, consumer culture, and desire through a kind of sed…
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