A car crash; a criminal bleeding to death in his apartment; a den of thieves, and a paramedic asked to swallow something valuable for safe keeping. This all happens at the beginning of Hugo Ruíz’s crime caper Dante at Night. In his director’s statement, Ruíz declares he wanted to make a “crazy” film. The mix of colourful characters, foul-mouthed language, guns and a crossbow aimed at someone’s balls sets Ruíz’s sophomore feature as a f****d-up t…
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